這個(gè)案子有個(gè)小插曲，當(dāng)時(shí)是另一個(gè)同事負(fù)責(zé)的，當(dāng)時(shí)做了兩稿客戶都不滿意。也弄不清楚客戶實(shí)際的需求是什么。我接手以后和客戶面談，客戶表示，只要是設(shè)計(jì)出來(lái)效果好，舒適就好。沒(méi)有一定的風(fēng)格，個(gè)人呢，比較喜歡這種時(shí)尚摩登的感覺(jué)。
后面設(shè)計(jì)師決定以孟菲斯的設(shè)計(jì)風(fēng)格為靈感來(lái)源。
“孟菲斯”的設(shè)計(jì)都盡力去表現(xiàn)各種富于個(gè)性化的文化內(nèi)涵，從天真滑稽直到怪誕、離奇等不同情趣。在色彩上常常故意打破配色規(guī)律，喜歡用一些明快、風(fēng)趣、彩度高的明亮色調(diào)，特別是粉紅、粉綠等色彩。反對(duì)單調(diào)冷峻的現(xiàn)代主義，提倡裝飾，強(qiáng)調(diào)手工藝方法制作的產(chǎn)品，并積極從波普藝術(shù)、東方藝術(shù)、非洲拉美的傳統(tǒng)藝術(shù)中尋求靈感。索特薩斯認(rèn)為設(shè)計(jì)就是設(shè)計(jì)一種生活方式，因而設(shè)計(jì)沒(méi)有確定性，只有可能性；沒(méi)有永恒，只有瞬間。
The design of Memphis tries to express all kinds of individualized cultural connotations, ranging from naive and funny to weird and bizarre. In color, the rule of color matching is often deliberately broken, and some bright tones with bright, interesting and high color, especially pink and pink green, are preferred. It opposes monotonous and cold modernism, advocates decoration, emphasizes products made by handicraft methods, and actively seeks inspiration from pop art, Oriental Art and traditional art in Africa and Latin America. Sothesas believes that design is to design a way of life, so design has no certainty, only possibilities; there is no eternity, only moments.