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探索空間的自由性和互動性
參考造價：暫未填寫|
風(fēng)格：現(xiàn)代簡約| 空間：二居|
面積：96平米|
瀏覽數(shù)：2723
案例簡介 Case description
這是建筑師的自宅，是和父親聯(lián)手打，造具有特殊情感寄托的小空間。是一個用時間織補的家，是一個平衡極低造價和鄉(xiāng)村師傅建造手藝的項目。
設(shè)計只是一個開始，生活才是空間的延續(xù)。
我們將其取義半空間，一半源于設(shè)計的思考，一半歸于真實的生活。
This is an architect's house, a small space with special emotional sustenance created jointly with my father, a home woven with time, and a project to balance the extremely low cost with the construction skills of village masters
Design is just a beginning of space, while life is the extension of it. We named it “Half Space”because one half of the consideration comes from design and the other half goes back to real life.
△住宅公共空間預(yù)覽A preview of public space in the house? 呂曉斌
改革開放后。浙南農(nóng)村出現(xiàn)了“第三代”居住建筑類型，一種以窄開間長進(jìn)深的五層住宅，構(gòu)成了地區(qū)特有的風(fēng)貌。窄面寬多樓層的形式，使得各樓層獨立，樓層功能單一，空間互動性弱。另外家庭成員有限，導(dǎo)致大多家庭頂層乃至高區(qū)樓層出現(xiàn)閑置浪費的現(xiàn)象。
Since the Reform and Opening-up, a
“third-generation” living type has appeared in rural areas of southern Zhejiang province, which has formed a unique local landscape of 5-storey residential buildings with narrow width and long depth. The style of multiple-storey and narrow-width has isolated each storey, homogenized functions, and reduced spatial interactions. Besides, the limited number of family members has led to a waste of the top storey in the house or even all high stories in the residential buildings.
改革開放后。浙南農(nóng)村出現(xiàn)了“第三代”居住建筑類型，一種以窄開間長進(jìn)深的五層住宅，構(gòu)成了地區(qū)特有的風(fēng)貌。窄面寬多樓層的形式，使得各樓層獨立，樓層功能單一，空間互動性弱。另外家庭成員有限，導(dǎo)致大多家庭頂層乃至高區(qū)樓層出現(xiàn)閑置浪費的現(xiàn)象。
Since the Reform and Opening-up, a
“third-generation” living type has appeared in rural areas of southern Zhejiang province, which has formed a unique local landscape of 5-storey residential buildings with narrow width and long depth. The style of multiple-storey and narrow-width has isolated each storey, homogenized functions, and reduced spatial interactions. Besides, the limited number of family members has led to a waste of the top storey in the house or even all high stories in the residential buildings.
△原始現(xiàn)狀original state ? Yan
閑置的頂樓空間，沒有功能和情景支撐
The unused top floor space is not supported by function and scenario
項目為浙南農(nóng)村雙棟自宅，幾言設(shè)計以空間互動體驗為探索契機，針對閑置的五樓空間進(jìn)行改造實踐，試圖打造一個復(fù)合功能需求的家庭活動場所。
This project is a duplex principal residence located in a rural village in southern Zhejiang province. Y.AN Design took the space interactive experience as the opportunity to explore the reconstruction of the unused fifth storey and tries to build a space for family activities that can satisfy compound functional requirements.
閑置的頂樓空間，沒有功能和情景支撐
The unused top floor space is not supported by function and scenario
項目為浙南農(nóng)村雙棟自宅，幾言設(shè)計以空間互動體驗為探索契機，針對閑置的五樓空間進(jìn)行改造實踐，試圖打造一個復(fù)合功能需求的家庭活動場所。
This project is a duplex principal residence located in a rural village in southern Zhejiang province. Y.AN Design took the space interactive experience as the opportunity to explore the reconstruction of the unused fifth storey and tries to build a space for family activities that can satisfy compound functional requirements.
△多個空間互相滲透Penetration of multiple spaces into each other? 呂曉斌
優(yōu)雅的極致是呈現(xiàn)精神的自由，自由是最深刻的人性需要。自由是需要平衡的，設(shè)計師選擇用安靜來平衡
自由的關(guān)系。
The ultimate of elegance is the spiritual freedom, which is the most profound human need. Freedom asks for balance which is achieved by the designer through the use of tranquility.
優(yōu)雅的極致是呈現(xiàn)精神的自由，自由是最深刻的人性需要。自由是需要平衡的，設(shè)計師選擇用安靜來平衡
自由的關(guān)系。
The ultimate of elegance is the spiritual freedom, which is the most profound human need. Freedom asks for balance which is achieved by the designer through the use of tranquility.
△空間拆解示意圖Schematic diagram of space disassembly
針對現(xiàn)狀，我們加入了日常必需的功能，應(yīng)對原有的空間柱將其收納到墻體內(nèi)，大物件儲藏功能暗藏到吊頂余量里，除此之外我們希望主體空間盡可能的靈活，純凈。
Based on the current situation, we added necessary daily functions. The original spatial pole was embedded in the wall. The storage room for big articles was hid in the remaining part of the ceiling. Moreover, we hope the main space is as flexible and clean as possible.
針對現(xiàn)狀，我們加入了日常必需的功能，應(yīng)對原有的空間柱將其收納到墻體內(nèi)，大物件儲藏功能暗藏到吊頂余量里，除此之外我們希望主體空間盡可能的靈活，純凈。
Based on the current situation, we added necessary daily functions. The original spatial pole was embedded in the wall. The storage room for big articles was hid in the remaining part of the ceiling. Moreover, we hope the main space is as flexible and clean as possible.
△樓梯空間剖面圖,section
在日常功能區(qū)我們別有用心的將層高控制到2.2米，與之相反的樓梯間及起居空間的層高我們盡可能的還原到最大化，反差之下是明晰的空間，也伴隨著細(xì)膩的心情變化。
For the daily use zone, we creatively controlled the floor height to be 2.2m, while maximized the height of staircase and bedroom. This distinct difference brings a clear sense of space and subtle changes of the mood.
在日常功能區(qū)我們別有用心的將層高控制到2.2米，與之相反的樓梯間及起居空間的層高我們盡可能的還原到最大化，反差之下是明晰的空間，也伴隨著細(xì)膩的心情變化。
For the daily use zone, we creatively controlled the floor height to be 2.2m, while maximized the height of staircase and bedroom. This distinct difference brings a clear sense of space and subtle changes of the mood.
△起居空間剖面圖,section
在空間高度余量中我們加入了半層閣樓，滿足多層次的活動需求同時提升空間感受
We inserted a half-floor attic in the spare height that meets the multi-level needs of activity and improves the sense of space
在空間高度余量中我們加入了半層閣樓，滿足多層次的活動需求同時提升空間感受
We inserted a half-floor attic in the spare height that meets the multi-level needs of activity and improves the sense of space
△空間的留白與無邊框的超白玻，虛實的空間律動，如同畫廊體驗的場景。? 呂曉斌
The left space and the non-frame super clear glass present a spatial rhythm between virtual and reality, imitating the scenario of a gallery
The left space and the non-frame super clear glass present a spatial rhythm between virtual and reality, imitating the scenario of a gallery
景窗創(chuàng)造多層次的活動場景，多個情景的生活互相獨立卻有互相滲透。
The lattice windows deliver multi-level scenarios which are independent and interpenetrated
The lattice windows deliver multi-level scenarios which are independent and interpenetrated
△入戶景窗View window at doorway? 呂曉斌
樓梯入戶處，我們設(shè)置一組與外墻窗錯位的同構(gòu)窗洞，構(gòu)筑畫中畫的既視感。
At the entrance of the staircase, we designed a set of windows with similar patterns as but in a different place from the outer windows, creating the view of picture in picture
樓梯入戶處，我們設(shè)置一組與外墻窗錯位的同構(gòu)窗洞，構(gòu)筑畫中畫的既視感。
At the entrance of the staircase, we designed a set of windows with similar patterns as but in a different place from the outer windows, creating the view of picture in picture
△主體空間預(yù)覽圖A preview of main space? 呂曉斌
設(shè)計將自己的日常與每個構(gòu)想功能區(qū)相連接，當(dāng)臥室打開時所有空間串聯(lián)，小朋友可以在這個空間里跑圈
The design links daily life with each imaginary function zone. When the bedroom is open, all spaces are connected. The children can run through the whole space
設(shè)計將自己的日常與每個構(gòu)想功能區(qū)相連接，當(dāng)臥室打開時所有空間串聯(lián)，小朋友可以在這個空間里跑圈
The design links daily life with each imaginary function zone. When the bedroom is open, all spaces are connected. The children can run through the whole space
△客廳Parlor ? 呂曉斌
設(shè)計保留了原有的坡度空間結(jié)構(gòu)，這個特殊的空間給予家庭最重要的客廳場所，在設(shè)計中我們盡可能的減少裝飾化元素，輕質(zhì)的鋼木樓梯成為視覺焦點。
The design reserved the original slope space structure, a special space that provides the house with the most important living room. We have reduced decorative elements to the minimum and the lightweight steel and wood stairs is the visual focus.
設(shè)計保留了原有的坡度空間結(jié)構(gòu)，這個特殊的空間給予家庭最重要的客廳場所，在設(shè)計中我們盡可能的減少裝飾化元素，輕質(zhì)的鋼木樓梯成為視覺焦點。
The design reserved the original slope space structure, a special space that provides the house with the most important living room. We have reduced decorative elements to the minimum and the lightweight steel and wood stairs is the visual focus.
△當(dāng)移門打開時，臥室和主空間融為一體? 呂曉斌
A combination of bedroom and public space when opening the sliding door
家庭活動是空間重要的載體，我們騰出更多的空間給日常，臥室占據(jù)面積是很小的，利用組合的移門柜體劃分獨立邊界，當(dāng)移門打開時臥室和主空間融為一體，將成為一個沒有邊界的私人場所。
Family activity is an important spatial foundation. So we set aside more space for daily activities while the bedroom is very small. The combined chamber set with sliding doors is used as a border. When opening the sliding doors, the bedroom is completely merged into the main space and the whole becomes a borderless private place
A combination of bedroom and public space when opening the sliding door
家庭活動是空間重要的載體，我們騰出更多的空間給日常，臥室占據(jù)面積是很小的，利用組合的移門柜體劃分獨立邊界，當(dāng)移門打開時臥室和主空間融為一體，將成為一個沒有邊界的私人場所。
Family activity is an important spatial foundation. So we set aside more space for daily activities while the bedroom is very small. The combined chamber set with sliding doors is used as a border. When opening the sliding doors, the bedroom is completely merged into the main space and the whole becomes a borderless private place
△靈活可變的工作墻Flexible and changeable wall for work? 呂曉斌
組合的柜體可以靈活切換狀態(tài)
Combined chamber set can be flexibly switched between different conditions
組合的柜體可以靈活切換狀態(tài)
Combined chamber set can be flexibly switched between different conditions
△一體的樓梯Integral whole stair ? 呂曉斌
樓梯是父親手工打造的，并沒有刻意為之的精致追求，是一份記憶和匠心的承載。
The stairs were the handwork of my father. They may be not that exquisite but the legacy of memory and ingenuity
樓梯是父親手工打造的，并沒有刻意為之的精致追求，是一份記憶和匠心的承載。
The stairs were the handwork of my father. They may be not that exquisite but the legacy of memory and ingenuity
△樓梯和基座一體設(shè)計，保證受力體系的條件下，滿足儲物收納、陳列展示、座椅的多重功能。
Integrated stairs and base can not only ensure the load capacity, but also be used as storage, showcase and seat.
Integrated stairs and base can not only ensure the load capacity, but also be used as storage, showcase and seat.
閣樓俯瞰，以原木配色為底的白色空間內(nèi)，精量化的材質(zhì)搭配，使得空間更加純粹且有溫度。
Looking down from the attic, the white space matched with log color and the refined material presents a pure vision and warm feeling
Looking down from the attic, the white space matched with log color and the refined material presents a pure vision and warm feeling
△茶室客房靈活轉(zhuǎn)換Flexible conversion of tea room and guestroom? 呂曉斌
設(shè)計師將多個儲藏空間精量化的設(shè)計到定制家具中，閣樓空間滿足茶室客房二重功能切換。
The designer contracted several storage spaces into the customized furniture. The attic can be transferred to a tea house or a living room.
設(shè)計師將多個儲藏空間精量化的設(shè)計到定制家具中，閣樓空間滿足茶室客房二重功能切換。
The designer contracted several storage spaces into the customized furniture. The attic can be transferred to a tea house or a living room.
茶室及冥想狀態(tài)，滿足日常茶飲及朋友招待，茶室后邊的抽屜柜既滿足儲物需求，高度考慮人體高度工學(xué)，多人聚會時可以充到座椅
As a tea house or meditation room, you can have tea here every day or serve friends. Drawers behind the tea house can not only put away items but also be used as seats for several guests with highly ergonomic design.
As a tea house or meditation room, you can have tea here every day or serve friends. Drawers behind the tea house can not only put away items but also be used as seats for several guests with highly ergonomic design.
客房狀態(tài)，白天日光透光天窗斑駁的打在場景里，晚上這是一個可以看星星的臥室
As a living room, you can see mottled sunlight coming from the roof light in the day and observe stars at night.
As a living room, you can see mottled sunlight coming from the roof light in the day and observe stars at night.
精簡非必要的第三方家具。主體軟裝遵從空間屬性，以灰色調(diào)的簡約家具搭配。
At the same time of reducing unnecessary third-party furniture, The soft decoration of the main space complied with the spatial attributes and was matched with simple furniture in gray tone.
At the same time of reducing unnecessary third-party furniture, The soft decoration of the main space complied with the spatial attributes and was matched with simple furniture in gray tone.
這是一個要更長的時間，更多的思考，不斷完善的家。當(dāng)空間最終完成，想去表述它的時候，發(fā)現(xiàn)并不能簡單風(fēng)格來定義，它不呈現(xiàn)任何一種既定的模式。但當(dāng)你身處在其中，無論何處，所為何事，都是適合的，舒適的，一物一景因由活動的參與呈現(xiàn)出情緒，而情緒隨活動變化而變化。這樣，家即是內(nèi)心世界表達(dá)出的形態(tài)，承載自我的需求，反過來，這種形式又用具體的物態(tài)來滋養(yǎng)和強化自我，不斷明晰自我。希望每個人都能尋求到獨屬于自己的家。
It's a home that takes longer, more thought, and more improvement.The final design of the space cannot be defined or expressed as a simple style because it represents none of any existing patterns. However, when you stay here, you would feel comfortable no matter where you are or what you are doing. Emotion is expressed in every object and every scenery because of the participation of human activities, and is changing as the change of activities. Therefore, home is a reflection of heart to bear the internal desire of one’s ego, in reverse, concrete objects are used to nurture and strengthen, as well as to identify this ego. Hope everyone can find his unique home.
It's a home that takes longer, more thought, and more improvement.The final design of the space cannot be defined or expressed as a simple style because it represents none of any existing patterns. However, when you stay here, you would feel comfortable no matter where you are or what you are doing. Emotion is expressed in every object and every scenery because of the participation of human activities, and is changing as the change of activities. Therefore, home is a reflection of heart to bear the internal desire of one’s ego, in reverse, concrete objects are used to nurture and strengthen, as well as to identify this ego. Hope everyone can find his unique home.
△夾層平面圖 Mezzanine plan
項目名稱：半空間住宅
設(shè)計團隊: 上海
項目類型：室內(nèi)改造
項目地址:?浙江溫嶺
項目面積: 96平方米
完工日期：2019.12
主創(chuàng)建筑師：顏小劍
設(shè)計師：顏小劍、肖露婭亞
攝影： 呂曉斌
施工：建筑師父親+農(nóng)村師傅
主要材料：橡木、白色乳膠漆
家具品牌：HAY 、ZAOZUO、JOLOR
Project Name: Half Space
Architect firm: Y.AN DESIGN
Scope: interior
Location: Wen Ling
Net Area:96㎡
Completion Date:?2019.12
Director Architect: Yan
Architect:Yan、Luya
Photographer: Lv Xiao Bing
Key Materials:?Oak wood，White latex paint
Furniture：HAY、ZAOZUO、JOLOR
項目名稱：半空間住宅
設(shè)計團隊: 上海
項目類型：室內(nèi)改造
項目地址:?浙江溫嶺
項目面積: 96平方米
完工日期：2019.12
主創(chuàng)建筑師：顏小劍
設(shè)計師：顏小劍、肖露婭亞
攝影： 呂曉斌
施工：建筑師父親+農(nóng)村師傅
主要材料：橡木、白色乳膠漆
家具品牌：HAY 、ZAOZUO、JOLOR
Project Name: Half Space
Architect firm: Y.AN DESIGN
Scope: interior
Location: Wen Ling
Net Area:96㎡
Completion Date:?2019.12
Director Architect: Yan
Architect:Yan、Luya
Photographer: Lv Xiao Bing
Key Materials:?Oak wood，White latex paint
Furniture：HAY、ZAOZUO、JOLOR
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