“團(tuán)扇，團(tuán)扇，美人病來遮面。玉顏憔悴三年，誰復(fù)商量管弦。弦管，弦管，春草昭陽路斷?！?
--[唐]王建《宮中調(diào)笑·團(tuán)扇》
"Tuanfan, Tuanfan, beauty sickness to cover the face. Jade face haggard three years, who re-discuss the orchestral. String, string, Chuncao Zhaoyang road broken. "
-- Tang Taejo of Goryeo, "the palace teasing Tuanfan. "

▲ 門頭展示

▲細(xì)節(jié)呈現(xiàn)

▲細(xì)節(jié)呈現(xiàn)
以扇遮面，而紈扇與玉顏掩映，反有“因病致妍”之妙。如此寫人，方為傳神；如此詠物，方覺生動(dòng)?！扒Ш羧f喚始出來，猶抱琵琶半遮面”的朦朧之美是為本案設(shè)計(jì)思路之開篇，也是設(shè)計(jì)者“氣質(zhì)東方”系列作品提出的“詩意、傳承”的初次實(shí)踐。
To Fan cover the face, and Wan Fan and Yu Yan, reflecting the "disease-induced beauty" of the wonderful. Such a person to write, for Vivid; so Yongwu, Fang Jue vivid. The nebulous beauty of "coming out in thousands and thousands of calls, half covering the face with PIPA" is the beginning of the design thought of this case, and the first practice of "poetry and inheritance" put forward by the designer's series works of "temperament Orient" .

▲卡座區(qū)域

▲卡座區(qū)域
設(shè)計(jì)從中國哲學(xué)和美學(xué)的底蘊(yùn)出發(fā)，注重空間氣質(zhì)內(nèi)涵的挖掘，營造出清新雅致的室內(nèi)氛圍，使人能感受到“美人如玉，一肌一容盡柔潤；玉如美人，一分一寸皆動(dòng)人?！钡母哐乓饩?，有更多豐富的層次，就如一支香水，細(xì)品出真知。
Starting from the foundation of Chinese philosophy and aesthetics, the design pays attention to the excavation of the connotation of space temperament, creating a fresh and elegant indoor atmosphere, so that people can feel "beauty such as jade, a muscle a soft run; jade such as beauty, every inch moving. " The elegant artistic conception, there are more rich levels, such as a perfume, fine out of true knowledge.

▲燈光細(xì)節(jié)

▲卡座區(qū)域
整個(gè)空間引用古代建筑的架構(gòu)理念，貫穿丹青墨分五彩之精華，融合宋瓷五大窯煅燒之蛻變，通過材質(zhì)造型的映襯，強(qiáng)調(diào)藝術(shù)與空間的碰撞，詮釋古代女子手執(zhí)團(tuán)扇半遮面之空間氣質(zhì)。
The whole space refers to the architectural concept of ancient architecture, running through the essence of the multi-colored ink of Danqing, combining the transformation of the five major kilns of Song Porcelain, and emphasizing the collision between art and space through the setting-off of the materials and shapes, interpretation of the ancient women's hand-held fan half-covered space temperament.

▲卡座區(qū)域

△細(xì)節(jié)呈現(xiàn)

▲卡座區(qū)域

▲卡座區(qū)域

▲細(xì)節(jié)呈現(xiàn)

▲平面方案
不銹鋼的桁架穿梭于屋頂之上，對(duì)整個(gè)空間起著銜接的作用，玻璃屏風(fēng)，木質(zhì)飾面隨處可見，不同種色彩的布藝裝飾，以及貼合情境的綠植，描繪出一個(gè)極致嫻靜高雅，細(xì)膩朦朧的寫意空間。
The stainless steel trusses that move across the roof serve as a bridge between the spaces, with glass screens and wood finishes everywhere, and different colored fabrics and plants that fit the context, creating an extremely serene and elegant image, delicate and hazy freehand space.

▲ 創(chuàng)始人×設(shè)計(jì)總監(jiān)丨周 坤 周 迪
室內(nèi)設(shè)計(jì)：過白美學(xué)
軟裝設(shè)計(jì)：過白美學(xué)
項(xiàng)目地址：湖北武漢
項(xiàng)目面積：320㎡
完工時(shí)間：2019年9月
主要材料：尼爾森岑木木飾面，鈦金拉絲不銹鋼，魚肚白大理石，卡樂板等。
Interior design: CROSS-WHITE AESTHETIC SPACE
Soft-wear design: CROSS-WHITE AESTHETIC SPACE
Project Address: Wuhan, Hubei Province
Project Area: 320 M2
Completion date: September 2019
Main materials: Nelson Cen Wood Veneer, titanium wire drawing stainless steel, white marble, Karle Board, etc. .