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＞過白美學(xué) | 空間氣質(zhì)和而不同 含蓄表達(dá)
過白美學(xué) | 空間氣質(zhì)和而不同 含蓄表達(dá)
參考造價(jià)：200萬元|
空間：酒店空間|
面積：800平米|
瀏覽數(shù)：865
案例簡介 Case description
室內(nèi)設(shè)計(jì)：過白美學(xué)軟裝設(shè)計(jì)：過白美學(xué)
項(xiàng)目地址：湖北武漢
項(xiàng)目面積：800㎡
完工時(shí)間：2020年1月
主要材料：木飾面，玫瑰金拉絲不銹鋼，云朵拉灰大理石，卡樂板等。
“君子和而不同，小人同而不和?！?br />
--《論語·子路》
\\\"A gentleman is united but not United; a villain is united but not united. \\\"
-- The analects of Confucius by Zilu
\\\"A gentleman is united but not United; a villain is united but not united. \\\"
-- The analects of Confucius by Zilu
▲ 門頭展示
“和而不同”，是多元的碰撞，這種碰撞產(chǎn)生的不是矛盾，而是更美好的融合與發(fā)展，而在空間中含蓄而不怯懦，少言但不寡語，讓人與器物對話，讓人與空間一體，融入美好，是以為空間營造氣質(zhì)與哲學(xué)的和而不同。
\\\"Harmony without uniformity\\\" is the collision of multiple elements, which produces not contradiction but better integration and development. In space, it is implicit without cowardice, and speaks little but speaks little. It enables people to talk with objects, integrate with space, and blend into beauty, which is the harmony and difference between space and philosophy.
“和而不同”，是多元的碰撞，這種碰撞產(chǎn)生的不是矛盾，而是更美好的融合與發(fā)展，而在空間中含蓄而不怯懦，少言但不寡語，讓人與器物對話，讓人與空間一體，融入美好，是以為空間營造氣質(zhì)與哲學(xué)的和而不同。
\\\"Harmony without uniformity\\\" is the collision of multiple elements, which produces not contradiction but better integration and development. In space, it is implicit without cowardice, and speaks little but speaks little. It enables people to talk with objects, integrate with space, and blend into beauty, which is the harmony and difference between space and philosophy.
▲門廳展示
整個(gè)空間以簡潔的手法延續(xù)和而不同的理念，空間的氣質(zhì)與哲學(xué)通過少即是多的方式呈現(xiàn)，忠于天然材料的質(zhì)樸，不拘泥于現(xiàn)代材料的精致，彷若一眼萬年，描摹出雋永的東方氣質(zhì)哲學(xué)。
The whole space with concise gimlet continuance and different idea, the temperament of the space and philosophy are presented by the means that less is more, be loyal to the plain of natural material, do not stick to the delicacy of modern material, be like one eye ten thousand years, describe the philosophy of east temperament with meaningful forever.
整個(gè)空間以簡潔的手法延續(xù)和而不同的理念，空間的氣質(zhì)與哲學(xué)通過少即是多的方式呈現(xiàn)，忠于天然材料的質(zhì)樸，不拘泥于現(xiàn)代材料的精致，彷若一眼萬年，描摹出雋永的東方氣質(zhì)哲學(xué)。
The whole space with concise gimlet continuance and different idea, the temperament of the space and philosophy are presented by the means that less is more, be loyal to the plain of natural material, do not stick to the delicacy of modern material, be like one eye ten thousand years, describe the philosophy of east temperament with meaningful forever.
▲細(xì)節(jié)呈現(xiàn)
置身大廳，透過玻璃的綠植，隱約朦朧，斑駁的燈光，忽明忽暗，精選的材質(zhì)，真實(shí)感人，以及點(diǎn)綴其間的整面水墨山水圖，與錯(cuò)落有致的玻璃吊燈，一種超然物外的心境油然而生，月白色的豎行陣列與琥珀色的實(shí)木墻板，內(nèi)斂柔和，淡泊而不頹廢。
In the hall, through the glass of the green plant, faint hazy, mottled lighting, dimmer, selection of material, real touching, and dotted with the full range of ink painting landscape diagram, glass chandelier with strewn at random have send, a detached mood arises spontaneously, white vertical line array and amber solid wood panels, soft inside collect, indifferent, not decadent.
置身大廳，透過玻璃的綠植，隱約朦朧，斑駁的燈光，忽明忽暗，精選的材質(zhì)，真實(shí)感人，以及點(diǎn)綴其間的整面水墨山水圖，與錯(cuò)落有致的玻璃吊燈，一種超然物外的心境油然而生，月白色的豎行陣列與琥珀色的實(shí)木墻板，內(nèi)斂柔和，淡泊而不頹廢。
In the hall, through the glass of the green plant, faint hazy, mottled lighting, dimmer, selection of material, real touching, and dotted with the full range of ink painting landscape diagram, glass chandelier with strewn at random have send, a detached mood arises spontaneously, white vertical line array and amber solid wood panels, soft inside collect, indifferent, not decadent.
▲過道空間
走廊地面輔以藍(lán)色地毯，如水一般，柔和安詳，實(shí)木墻板依建筑柱體延伸至頂面，猶如屏風(fēng)般的包裹感，又如傳統(tǒng)建筑中的榫卯結(jié)構(gòu)一般，精致細(xì)膩，墻面大面積的木皮，中間如山如水般的抽象線條圖案，在現(xiàn)代美學(xué)空間中體會(huì)東方的美學(xué)理念。
Corridor with blue carpet on the ground, like water, soft serene, solid wood panels in accordance with the architectural cylinder extends to the top surface, like a screen of the package, and is like traditional architecture of mortise and tenon joint structure, delicate and exquisite, metope large wood veneer, middle mountain water abstraction line design, experience in modern aesthetic space aesthetic concept of the east.
走廊地面輔以藍(lán)色地毯，如水一般，柔和安詳，實(shí)木墻板依建筑柱體延伸至頂面，猶如屏風(fēng)般的包裹感，又如傳統(tǒng)建筑中的榫卯結(jié)構(gòu)一般，精致細(xì)膩，墻面大面積的木皮，中間如山如水般的抽象線條圖案，在現(xiàn)代美學(xué)空間中體會(huì)東方的美學(xué)理念。
Corridor with blue carpet on the ground, like water, soft serene, solid wood panels in accordance with the architectural cylinder extends to the top surface, like a screen of the package, and is like traditional architecture of mortise and tenon joint structure, delicate and exquisite, metope large wood veneer, middle mountain water abstraction line design, experience in modern aesthetic space aesthetic concept of the east.
▲細(xì)節(jié)呈現(xiàn)
入客房，寬敞明亮，圓形的鏡面，暗合中國的中庸之道，月白與琥珀的碰撞，仿佛謙謙君子般置身洪流，自信而篤定。
Into the guest room, spacious and bright, round mirror, alluding to the Middle way of China, the collision of moon white and amber, as if a modest gentleman exposure to the torrent, confident and assured.
入客房，寬敞明亮，圓形的鏡面，暗合中國的中庸之道，月白與琥珀的碰撞，仿佛謙謙君子般置身洪流，自信而篤定。
Into the guest room, spacious and bright, round mirror, alluding to the Middle way of China, the collision of moon white and amber, as if a modest gentleman exposure to the torrent, confident and assured.
▲二層平面
空間中細(xì)節(jié)的處理，用材的選取，選色的心思，無不希望能讓設(shè)計(jì)回歸本質(zhì)，創(chuàng)造一種獨(dú)立于世外，不受世俗羈絆的精神場所。
The processing of details in the space, the selection of materials, the idea of color selection, all hope to be able to let the design return to the essence, to create a kind of independent from the outside world, not bound by the secular spiritual place.
空間中細(xì)節(jié)的處理，用材的選取，選色的心思，無不希望能讓設(shè)計(jì)回歸本質(zhì)，創(chuàng)造一種獨(dú)立于世外，不受世俗羈絆的精神場所。
The processing of details in the space, the selection of materials, the idea of color selection, all hope to be able to let the design return to the essence, to create a kind of independent from the outside world, not bound by the secular spiritual place.
▲ 創(chuàng)始人×設(shè)計(jì)總監(jiān)丨周 坤 周 迪
室內(nèi)設(shè)計(jì)：過白美學(xué)
軟裝設(shè)計(jì)：過白美學(xué)
項(xiàng)目地址：湖北武漢
項(xiàng)目面積：800㎡
完工時(shí)間：2020年1月
主要材料：木飾面，玫瑰金拉絲不銹鋼，云朵拉灰大理石，卡樂板等。
Interior design: CROSS-WHITE AESTHETIC SPACE
Soft-wear design: CROSS-WHITE AESTHETIC SPACE
Project Address: Wuhan, Hubei Province
Project Area: 800 M2
Completion date: September 2020
Main materials: Wood finish, rose gold brushed stainless steel, cloud grey marble, Calle board, etc.
室內(nèi)設(shè)計(jì)：過白美學(xué)
軟裝設(shè)計(jì)：過白美學(xué)
項(xiàng)目地址：湖北武漢
項(xiàng)目面積：800㎡
完工時(shí)間：2020年1月
主要材料：木飾面，玫瑰金拉絲不銹鋼，云朵拉灰大理石，卡樂板等。
Interior design: CROSS-WHITE AESTHETIC SPACE
Soft-wear design: CROSS-WHITE AESTHETIC SPACE
Project Address: Wuhan, Hubei Province
Project Area: 800 M2
Completion date: September 2020
Main materials: Wood finish, rose gold brushed stainless steel, cloud grey marble, Calle board, etc.
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